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Christophe Laudamiel composed this feminine creation for Mugler in 2006, offering the house's interpretation of pure parfum.
A groundbreaking olfactory art project created for the film Perfume: The Story of a Murderer, offering unconventional, conceptual compositions that push the boundaries between wearable fragrance and sensory storytelling.
Mugler Le Parfum is not a single fragrance but a legendary olfactory art project -- a coffret of fifteen compositions created by Christophe Laudamiel and Christoph Hornetz to accompany the 2006 film adaptation of Patrick Suskind's novel Perfume: The Story of a Murderer. Released as a limited edition of only 1,300 sets priced at $700 each, every single set sold out, and the collection has since become one of the most sought-after items in fragrance collecting.
This is not conventional perfumery. Laudamiel, who had been working on olfactory interpretations of the novel since 2000 as a personal passion project, collaborated with Thierry Mugler and Vera Strubi to create something unprecedented: a series of scents that translate narrative scenes into olfactory experiences. The result ranges from stunningly beautiful to deliberately fetid, and therein lies both its genius and its commercial limitation.
The coffret contains fourteen individual compositions plus a fifteenth scent called Aura. Each represents a specific moment from Suskind's story. Among the most celebrated is Virgin Number One, described as possessing "the most exquisite musky accord, milky like fresh cream, smooth like peach skin" -- sweet and natural smelling with a slight milky quality that softens all edges. The composition reportedly includes scent molecules of fresh milk, white rice, and yellow plum schnapps.
Other compositions span an enormous range. Absolu Jasmin represents the novel's obsession with the perfect floral absolute. Paris 1738 recreates the filthy, vibrant streets of 18th-century France. Human Existence explores the raw scent of humanity. Aura itself, composed of 84 secret ingredients, attempts the impossible: capturing the bewitching, supernatural essence of the protagonist Grenouille's art.
Reviewers describe the overall experience as "definitely olfactory art with some wearable ones thrown in" -- a collection meant to be experienced as a whole rather than worn as individual daily fragrances.
The wearable compositions from the set -- particularly Virgin Number One, Nuit Napolitaine, and Absolu Jasmin -- are best suited for evening wear in cooler months, where their rich, unconventional character can be appreciated. These are fragrances for intimate gatherings, special occasions, and moments when you want to spark genuine conversation about perfume as art.
The more conceptual pieces (Paris 1738, Human Existence, Orgie) are best experienced on test strips or in controlled settings. They are designed to provoke and illuminate, not to accompany you through daily life.
Performance reports for the individual compositions are limited due to the extreme rarity of the set, but the wearable pieces are described as having moderate longevity of around 3 to 5 hours. Fragrantica data indicates average longevity of approximately 3.3 out of 5 and sillage of approximately 2.6 out of 4, suggesting moderate overall performance. Given the set's status as olfactory art, most owners apply sparingly to preserve their precious supply rather than testing performance limits.
The fragrance community regards Le Parfum with near-universal reverence as a conceptual achievement, even among those who have never experienced it firsthand. Fragrantica forum discussions consistently describe it as "a brilliant book, a great film, and a piece of art" and advise that anyone who has the chance to acquire the coffret should take it immediately. Bois de Jasmin praised the set extensively, describing Laudamiel's work as iconoclastic and each fragrance as a glimpse into his artistic vision. Kafkaesque devoted detailed coverage to the coffret, calling it a landmark in olfactory storytelling. The main points of criticism are practical -- the extreme rarity, the high cost, and the fact that several compositions are deliberately unwearable.
Le Parfum is for the serious collector and the fragrance aesthete who views perfumery as an art form rather than a consumer product. If you are passionate about the intersection of literature, film, and scent, and you have both the budget and the connections to source a set, this represents one of the most significant olfactory art projects ever created. It is also essential for any Christophe Laudamiel completist.
This is emphatically not for casual fragrance users or those seeking a new signature scent. The investment required -- both financial and intellectual -- places it firmly in the realm of fragrance connoisseurship.
Mugler Le Parfum transcends conventional fragrance reviewing. It is a fifteen-part olfactory narrative, a collaboration between some of perfumery's most creative minds, and a time capsule of one of the most ambitious projects in scent history. Whether experienced through one of the rare surviving coffrets or simply appreciated as a concept, it represents perfumery at its most artistically ambitious -- a reminder that fragrance can be so much more than a pleasant smell.
Consensus Rating
7.8/10
Community Sentiment
positiveSources Analyzed
4 community posts (4 forum)
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This review is AI-generated based on analysis of 4 community discussions. Individual experiences may vary.